“We want the fun.” PBS ‘is part of the independent lens series
At a time when black investments in American history and culture face, they continue to be deleted, regardless of art stands as a vital action of resistance and the memory. We want the fun. Is it a vivid documentary that marks the revolutionary sound and cultural heritage of the 1970s?
Director, Stanley Nelson and Nicole London, Premiere Premiere on PRBS series Inon-fallen lenses April 8. It offers a dynamic study of Funk evolution, pushing its roots away from Africa, the Spirit, early jazz, affects the 1970s in the 1970s.
We want the fun. puts viewers in a barbecue Musicians, producers and staff of cultural critics who help the effects of the context genre.
George Clinton, Questlove and More Guide Viewers through Funk Golden Age, respecting the shine of icons like James’s brown and parliament-Focadel.
Rare archival staff and poetic reflections, both fans and the founders of the movement, not only voice their voice. It marks cultural awakening. Funk and remains one of the highest expressions of the black painting.
Funk was raw, unconfirmed and useless black. While jazz was filtered was fun. Its bold toolkit – other similar synthesizers, debris, and call and response chants to guide a generation of post-election civil rights Ready to have one’s own strength. We want the fun. Shows how genre has become more than music. It became the sound of personality, complaint and liberation and preconditions for the hip-hop rhythmic spine.
“Music, especially fun, promotes social connection, mental break from worries and helps build flexibility, which allows you to overcome difficult situations Independent lensesA number “We need fun.”
The documentary is available to flow in PBs until July 7, 2025. This film presents as a strong impact of “Funk” music, emphasizing its role with a strong expression of black art and cultural identity.
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